James Baldwin’s introduction to “Black Fire!: Accounts of the Guerrilla War in Rhodesia” (also titled “We Are Everywhere: Narratives from Rhodesian Guerillas”) by Michael Raeburn² provides an insightful look into the complexities of the Rhodesian situation, focusing on historical events rather than racial tensions. One significant event documented in the book is the events on the Altena tobacco farm³ in which the guerrilla forces were given the location of a strategic strike point by a Shona spirit medium, marking a turning point in Zimbabwe’s liberation movement.

Whilst in central France, Paris, Baldwin would spend his time at cafes such as Café Le Tournon⁴. During the post-war period, it became a hub for African American expatriates, artists, writers, and intellectuals⁵. Amidst the aroma of freshly brewed coffee and the lingering scent of Gauloises and Gitanes tobacco cigarettes, the café’s ambiance and location fostered an environment where creative minds could gather, exchange ideas, and engage in meaningful debates⁶. These interactions often transcended mere conversation, sparking movements and inspiring works that contributed to cultural and societal shifts. This essence is intertwined with Zimbabwe’s largest export of the time, Tobacco⁷⁸, a frequent catalyst for conversation at Café Le Tournon.

It was during the time Baldwin found solace and inspiration in France that he contributed to Black Fire: accounts of the Guerrilla War in Rhodesia⁹. He spent the last 17 years of his life in Saint Paul de Vence¹⁰, a place that became not only his home but also a sanctuary. Baldwin’s residence in France was marked by a profound connection to the local culture, landscape, and way of life. An iconic image that encapsulates this period shows Baldwin enjoying fresh fruit at his home, with an ashtray displayed on the table. This image serves as a key reference for “18 Rue De Tournon” which opens with top notes of mango and pineapple.